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≡ Read Marriage A Novel Susan Ferrier 9781146660020 Books

Marriage A Novel Susan Ferrier 9781146660020 Books



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Download PDF Marriage A Novel  Susan Ferrier 9781146660020 Books

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Marriage A Novel Susan Ferrier 9781146660020 Books

The protagonist at the beginning is rather unsympathetic, making it difficult to fully enjoy the first third of the book. The last two thirds, however, are told from the perspective of the daughter, who is a much more sympathetic character. I really wish that the book began at that point. Otherwise, it is a fun read. The daughter is a little too good to be true in our modern age, but she is still quite sympathetic. Her struggles with a selfish mother and sister are tempered by her relationship with her cousin. It is actually the cousin, Emily, who redeems the book. The modern reader will fully identify with Emily's perspective as she goes from being skeptical of her cousin's goodness, to admiring her strength of character. Emily is our touchstone and often the comic relief--along with assorted minor characters. Romance lovers who prefer humor to gothic pathos in their stories will find this book entertaining.

Product details

  • Paperback 326 pages
  • Publisher Nabu Press (March 5, 2010)
  • Language English
  • ISBN-10 1146660022

Read Marriage A Novel  Susan Ferrier 9781146660020 Books

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Marriage A Novel Susan Ferrier 9781146660020 Books Reviews


I really could not get into this book. I even tried to skip pages and see if it would catch my eye but I couldn't. So I would not recommend this book. Boring.
Mainly recommended for Wells' erudite, literate writing. Charming and interesting picture of affaires-de-coueur and domestic norms around the turn of the century. Wells may have intended the book to be cautionary.
H.G.Wells,known to readers mostly for science fiction reveals that he is equally proficient in fiction.Truely gifted.also recommended Love and Mr Lewisham.
Beautifully written, classic piece of literature. H.G. Wells writing is fantastic. This is a great story that everyone should read and enjoy in their lifetime. Especially those who are or have been married.
I only knew this author from his famous science-fiction works. This book was a pleasant surprise. Not a marriage guide, but a pretty accurate (in my experience) representation of the complex, dangerous constraints on the spoken and even the unspoken feelings within a relationship. A lot of jabs at "professional" scientists and, since that's all we have in this century, at our current scientific establishment. I found a strong feminist thread throughout the book, which was another surprise (to me) for something written 100 years ago. The husband's sacrifices are given more consideration than the wife's, but that may only reflect that a girl's prospects were so much grimmer than a boy's.
Published 1812

A parable, I suppose one might call this story. One of the loops, folds, turns, tribulations of marriage. Full of struggle and hardship, near the finale Wells seeks to interject an Eastern intervention – quiet, away from the milling of the city, the noise, all the people, their money and petty personal issues and interference. To recognize the benefits of ones own hard-work, to labor for the good of yourself and your loved ones – living off the land in rustic, practically extinct fashion, a manner seen 90 years later in many of Jack London's works this is where Wells appears to lean with his conclusion – lessons gleaned from labor. The benefits of being a stalwart, an individual.

Overall, the most outlandish (unusual) of Well's works, for it's almost too realistic and there's nothing glaringly 'crazy' nor comical about it. Tolerable and easily read, he still has much better works in his personal bibliography.

SPOILERS

Embarking upon the story of Majorie Pope, a bachelorette, being pursued by one Mr. Magnet – a man of money, wit and..... uh.... money – Majorie is contemplating a relationship as a way to escape the roof of her father's domineering household. This in-spite of notion that she has no love nor fondness for Mr. Magnet. Sure he's a swell enough guy, but the passion just isn't there. There's no draw. Nothing irresistible about the man.

In storms (or flies) Trafford (and Solomannson) on their flying machine – nose-dives it right into the ground, doing a fair job of mangling, but not killing, himself in the process. After tending to Trafford's injuries and engaging him in conversation, Majorie realizes that he's very familiar to her. Trafford was one of her instructors during college. Soon their discourse grows deeper. Majorie issues a split from Mr. Magnet and Trafford, upon approaching Mr. Pope about becoming married to his daughter, is given many smart-whacks about the head.

Heading into their life together, married, buying a house, tied down by children, Trafford gives up his scientific endeavors and becomes a fairly well-to-do and prominent business man. Wheeling (pun!) and dealing in the world of synthetic rubbers for tire manufacturing.
Growing tired, depressed and fitful with his life and Majorie (she's burning thru their – his – earnings by spending on the house and all other kinds of unnecessary things), Trafford consults his mother and says he's going away. Into the mountains, for some quiet, some space, to forget about the trifles concerning money and economics and wasting his day fighting for dollars. His mother suggests including Majorie, to which Trafford relents, asks and Majorie agrees.

After the two has left society, during their venture to the wilderness and amidst an effort to survive Trafford is attacked by a bobcat. Nearing death and stuck in a snowstorm he is kept vigil by Marjorie. Having eventually, and with much effort, been brought back to their cabin he falls into a delirium. Trafford speaks of many things – the philosophical & human aspect of the work God, religion, money and many other societal and vastly unimportant generalizations. Upon his recovery Trafford strikes the notion that we, as human beings, 'fail to realize the value of anything because we want everything and finally falling upon patience as that which will redeem [my] body.' (5771) – a testament to well health which fosters a well mind.
Thanks
The protagonist at the beginning is rather unsympathetic, making it difficult to fully enjoy the first third of the book. The last two thirds, however, are told from the perspective of the daughter, who is a much more sympathetic character. I really wish that the book began at that point. Otherwise, it is a fun read. The daughter is a little too good to be true in our modern age, but she is still quite sympathetic. Her struggles with a selfish mother and sister are tempered by her relationship with her cousin. It is actually the cousin, Emily, who redeems the book. The modern reader will fully identify with Emily's perspective as she goes from being skeptical of her cousin's goodness, to admiring her strength of character. Emily is our touchstone and often the comic relief--along with assorted minor characters. Romance lovers who prefer humor to gothic pathos in their stories will find this book entertaining.
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